Alexander Lervik Expands Castor Series with Floor and Table Lamp

Castor table floor 2026

Swedish designer Alexander Lervik has extended the Castor series for Noon Light with two new additions: a floor lamp and a table lamp.

The series, which also includes an earlier pendant version, is built around a reinterpretation of the classic cone-shaped shade.

Both the floor and table lamp share the same core concept: a tilting shade that allows the user to direct light precisely where it is needed.

A key focus in the design process was achieving visual harmony between the stand and the shade across all tilt positions.

 

674461556 18162674356438193 2391169444218225737 n

Castor floorlamp 1400 870 01 0681488353 18162674347438193 2430111547880515504 nCastor tablelamp 1400 870 01

 

The pendant version, introduced earlier, takes the cone shade a step further by integrating the suspension and power supply into the overall form. Available in three sizes — shades with diameters of 60, 40, and 20 centimetres — the pendant can be specified in any of 200 colours and configured with textile or rubber cable in matching or contrasting shades. The pre-assembled dimmable light engine supports standard connection and DALI. Suspension cables are available in brass, steel, or black lacquered metal.

 

 

Alexander_lervik | ScandinavianDesign.com

Alexander Lervik

Alexander Lervik is fascinated by light in all its forms, not surprising given that he lives in a country where darkness dominates much of the year. Three years after graduating from Beckman’s School of Design, he presents Bright Handle, a door handle that glows an idle green or a busy red. The Sense Light Swing fibre-optic light-up swing is equally playful and at the same time self-evident. With Rainbow, he builds a lampshade of 300 tiny LED lights integrated into the shade, while LED Light Bulb brings a new expression to the traditional incandescent bulb shape in the form of a small LED-lit 3D-printed ballerina inside. Experimentally exploring constantly on the border between the artistic and the commercial, AlexanderLervik has in both lighting and furniture design pushed the boundaries of what is possible.

His light creations, the most extreme of which is MyBrain, a lamp 3D-printed from an MRI of his own brain, are represented at the National Museum in Stockholm, the Röhsska Museum in Gothenburg and several other places. Colour is a strong design element in all his designs, and by creating a new lighting company he wants to bring colour to an overly conservative lighting industry.

‘Surely we can be more playful in Scandinavian design and surely we need more colour in the design industry around the world! I am fully convinced that my artistic experiments make my commercial products even better.’
Alexander Lervik

 

More design by Alexander Lervik:

Stella pendel alexander lervik

Alexander Lervik’s Stella Pendant for Noon Turns the Cable into the Design

The design At Orgatec 2026 in Cologne, Swedish designer Alexander Lervik presented Stella, a new …

Castor table floor 2026

Alexander Lervik Expands Castor Series with Floor and Table Lamp

Swedish designer Alexander Lervik has extended the Castor series for Noon Light with two new …

Alexander Lervik johanson 2026

Five series are given new life as Alexander Lervik updates Johanson ahead of 2026

What is, in fact, the greatest sustainability gains a furniture manufacturer can achieve? The question …

Alexander lervik ani 2026 1

Alexander Lervik opens gallery in Skåne

Alexander Lervik opens gallery in Skåne – collectible design as a long-term sustainability strategyIn connection …

Dia-alexander -lervik | ScandinavianDesign.com

Dia pendant lighting design by Alexander Lervik for Noon Light

With the light source hidden in the lamp fixture, an illusion of form and light …

Alexander Lervik's minimalist Castor lamp design featuring versatile modular elements

Castor design by Alexander Lervik – Noon

Castor reinvents the classic cone-shaped lampshade. By making the suspension and power supply part of …

More design & news from Alexander Lervik →