Fredrik Paulsen Introduces Pendant One, JOY’s First Pendant Lamp in Two Sizes

Pendant One (60) by Fredrik Paulsen for JOY, pendant lamp shown in full Photo Martin Brusewitz

The design

Stockholm-based designer Fredrik Paulsen has introduced Pendant One, a pendant lamp for his brand JOY. The lamp draws on Japanese postmodernism and Italian anti-design. It comes in two sizes, Pendant One (60) and the smaller Pendant One (30), and carries the same playful approach that runs through the rest of the JOY collection.

 

Pendant one Fredrik Paulsen5Pendant one Fredrik Paulsen2

Two sizes

JOY describes the larger Pendant One (60) as the light by which we travel “into this and that”. The smaller Pendant One (30) is presented as the more intimate of the two, a lamp for a space without too many people around.

 

JOY PENDANT ONE Photo Martin Brusewitz

Technical details

Both sizes are delivered without a ceiling outlet. The cable ends in a connector block for wiring to an existing ceiling connection. Pendant One is CE-marked, made for 220–240 V / 50–60 Hz and intended for the EU/EEA.

About JOY

JOY makes products for the home: furniture, objects and ornaments. Fredrik Paulsen founded the brand in 2021 as an open space for his own work. The idea is to combine simple construction with playful aesthetics, and forward-looking style with small-scale production at a reasonable price. All JOY objects are designed and manufactured in Sweden, and everything packs flat.

About Fredrik Paulsen

Fredrik Paulsen, born in 1980, lives and works in Stockholm. He studied at Beckmans College of Design and holds an MFA from the Royal College of Art in London. His work includes the Röhsska chair and barstool for Blå Station and the 001 series for Vaarnii. In 2024 he received the Bruno Mathsson Prize together with Jenny Nordberg and Finn Ahlgren.

By Editorial Team, ScandinavianDesign.com
Photo: Martin
Brusewitz.

https://fredrikpaulsen.com/

Design by Fredrik Paulsen

Pendant One (60) by Fredrik Paulsen for JOY, pendant lamp shown in full Photo Martin Brusewitz

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